When women hear Celine Dion, Eva Cassidy or Aretha Franklin singing high notes effortlessly, or when they hear the hot sounds of Whitney Houston, Mariah Carey or Christina Aguilera, they ask: "How do they do that?"

Men ask the same question. When they hear the smooth style of Usher, Justin Timberlake, or Luther Vandross, or when they hear the vocal chops of rock legends such as Steve Perry, Freddie Mercury or Billy Joel, they ask: "How do they do that?"

Answer: they use a vocal technique that sounds natural.

Good singers develop a technique to free their own vocal behavior. Many apply correct vocal concepts without realizing it. The technical polish of Barbra Streisand at her best - a silky sound combined with strength and sensitivity - is the perfect example of the intuitive application of Bel Canto principles.

Clark Harris has developed a highly versatile, practical method to achieve the artistic goals of non-classical singers. He is keenly aware of the different approaches to be taken by classical and non-classical singers.

No matter what style you sing, Clark can give you the technical edge one needs to succeed in the highly competitive fields of musical theater, pop, rock and jazz.

As a baritone, I sing easily from a low bass E-flat to a high tenor B-flat. The Bel Canto method I learned from Clark put my vocal technique ahead of the game.
Steven Ted Beckler - "Gaston" in Beauty and the Beast, Broadway